The First Three - Galavant (2015)

For an introduction to my First Three series, click the link!
ABC's Galavant is a musical comedy that follows the adventures of Galavant (Joshua Sasse), a washed up knight whose present exploits include heavy drinking and being kicked out of inns when he can't pay the tab.  This changes when he meets Princess Isabella (Karen David), and tagalong squire Sid (Luke Youngblood), who reignite his better nature as they begin a quest to liberate Madalena (Mallory Jansen), Galavant's lady love, from the clutches of the evil King Richard (Timothy Omundson).  What Galavant doesn't know is that Isabella is actually working for King Richard, and the quest is an elaborate double cross.    
The first thing you will notice about Galavant is the music.  Every episode contains at least a few songs, and this is where the show works best.  I initially dismissed the music as a bit too simple, but I guarantee the theme music will stick in your head even if you just watch the pilot.  As well, there are some very clever lyrics used in the songs, which give a good sense of the show's general style.
On the acting side of things, Joshua Sasse plays the arrogant, overconfident Galavant quite well.  He's not exactly likable, but the enthusiasm of his companions helps to make him look good.  I found the foppish King Richard to be the standout performance of the show.  His cruel, yet childishly sensitive character is consistently funny, especially when it comes to musical numbers.  One particular number involves him detailing how he'd execute his rivals in song, and is a perfect example of the style Galavant aims for.
Galavant's sense of humour ranges wildly, from Monty Python style silliness, to the self-aware modernism of the Shrek films.  As such, it's very difficult to pin down exactly who the target audience of this show is.  There are some dashes of adult humour, so it's not exactly for kids, but other than that, it reads as a family friendly comedy.  It feels as if the writers took an 'anything goes' approach, which is a bit problematic, as many of the jokes are hit and miss affairs.  In particular, I'm reminded of a joke from episode 2:  the king's henchman Gareth (Vinnie Jones) makes an off-colour comment involving his unusual taste in women.  At first, I found it funny enough to laugh at, but then the writers draw the joke out a few beats too long.  At this point, the joke fails and becomes uncomfortable, or even offensive to some.  This lack of consistency is my main issue with Galavant.  Perhaps these issues are resolved in future episodes, but as it stands, I can't recommend Galavant on the basis of its comedic style.  If you're looking for a medieval musical comedy, this will certainly fit the bill.  For me personally, it's not nearly as smart or funny as it wants to be.

Fantastic Beasts and Where to Find Them (2016)

Fantastic Beasts and Where to Find Them is the long awaited film expansion of J.K. Rowling's Harry Potter universe.  The film takes us back to New York City in the 1920s, where we meet Newt Scamander (Eddie Redmayne), who is something of a magical Doctor Dolittle.  When a small mix-up happens at a bank, regular citizen Jacob Kowalski (Dan Fogler) finds himself in possession of Newt's magical briefcase, which contains all of the creatures he's collected in his travels.  To add to Newt's troubles, there is also a strongly anti-magic organization stirring up protests around New York.  Naturally, almost all of the magical beasts get loose.  With the help of sisters Tina (Katherine Waterston) and Queenie Goldstein (Alison Sudol), they set about to recapture all of the missing creatures.  Unfortunately, the Magical Congress of the United States Of America (America's version of the Ministry of Magic) is out to capture Newt Scamander for their own reasons.
For the most part, I found this movie quite enjoyable, with the exception of a few small items.  One issue this film has is the size of the cast.  There are just a few too many characters to give everyone equal screen time, and at times, the plot becomes a touch muddled because of it.  For instance, I think there was far too much time spent focusing on Mary Lou Barebone (Samantha Morton) and her clan of disturbed children for what was essentially a one-note plot point.  Also, there are some barriers for those unfamiliar with the original books (and the Harry Potter source material).  I found myself especially puzzled with Percival Graves (Colin Farrell).  I had very little idea of his exact position within his organization, much less what his title of auror meant, if anything.
Despite these minor complaints, Fantastic Beasts is a lot of fun to watch.  The film takes every advantage when it comes to 3D technology, and doesn't spend it all in the opening moments of the film, like many others have.  The depth of detail and imaginative creature design is wonderful to witness, and adds that extra touch of magic needed for a story as grand as this.  Sadly, I feel that the non-3D version may not feel half as engaging, considering there is such heavy use of effects.  As I mentioned before, I am only familiar with the Harry Potter film franchise, but according to my wife, there are plenty of references, both large and small, for Potter fans to talk about.  As a film-only fan, I did pick up on a handful, but the majority were lost on me.  Interestingly, these references never felt obvious or overdone to me, which is refreshing for a movie that takes place in such a well known world.  Contrast this with the constant name-dropping seen in the Marvel movies, and you'll begin to see what I mean.  Then again, I haven't read the books, so you can judge for yourself.
The cast is solid all around.  Eddie Redmayne is charmingly inquisitive, in spite of his social awkwardness.  Katherine Waterston's Tina provides the perfect match for Newt with her sharp wit and determined attitude.  While Colin Farrell is competent as Graves, Newt's authoritarian adversary, the true show stealers are Kowalski and Queenie.  You can't help but love Dan Fogler as the simple, working man who becomes fascinated with Newt's magical world.  Alison Sudol plays Queenie with an infectious enthusiasm as well as a spark of mischief.  The two play off of each other wonderfully, and exhibit more on-screen chemistry than the main characters, in my opinion.
Fantastic Beasts is an exciting film, full of visual wonders.  A certain level of depth will be lost on those unfamiliar with the Harry Potter universe, but it is still very accessible to any movie goer.  With several sequels in development, now is the time to watch if you want to follow this series!

Doctor Strange (2016)

The latest in Marvel's ever-expanding film universe, Doctor Strange explores the magical side of the Marvel universe.  Stephen Strange (Benedict Cumberbatch) is a gifted surgeon, but has an attitude on par with someone like Dr. Gregory House.  His only concern is maintaining his own renown in medicine and keeping up with his lavish lifestyle.  After his hands are badly damaged in a car accident, Strange is forced to search for alternatives to medicine to cure his ailment.  This search leads him to Nepal, where he learn the secrets of magic and mysticism under a mysterious woman known as The Ancient One (Tilda Swinton).  Meanwhile, Keacilius (Mads Mikkelsen), a former student of The Ancient One, has discovered forbidden knowledge and is acting on it in the most dangerous way.  Together with his teachers, and some clever manipulation of time and space, Doctor Strange must fight the forces of chaos in order to protect the Earth from the destructive entity known as Dormammu.
For comics fans and newcomers alike, Doctor Strange is a great entry in the Marvel filmography.  The story follows the fairly traditional path of classic Samurai films, with a bit of the fantastic added to the mix.  The plot may feel familiar to some, but it's so well done, only the most jaded of movie fans will feel bored by it.  Benedict Cumberbatch plays Doctor Strange very well.  Over the course of the film, we see him change from arrogant to angry, and finally to a man in command and control of himself.  His personal transformation is believable, and it's what drives this film forward.  In particular, his scenes with Rachel McAdams (as love interest Christine Palmer) illustrate this change of character fully.  During the scenes of Strange's training, Tilda Swinton also has some good moments as the wise master figure.
This film has a lot of very cleverly done visuals.  The 3D effects are particularly well executed, with many kaleidoscopic transformations of ordinary settings.  I'm not certain how well these effects translate to non-3D, but they were impressive in the format I saw them in.  One of the things I appreciated most as a comics fan was the film's depiction of Dormammu and his chaotic dimension.  They are shown in an abstract way, yet the evil they represent is made very clear.
Doctor Strange is a breath of fresh air for the Marvel movies, showing the audience something a little different than the usual super-science or simple fist-fighting heroes.  It will be interesting to see how Doctor Strange will fit into a team setting, although one of the post-credits scenes hints at a possible ally.  If you're a fan of the comics, or just bored with traditional superhero films, Doctor Strange is a great way to see a new side of the superhero genre.

Pan's Labyrinth (2006)

Pan's Labyrinth recently celebrated its 10th anniversary with a screening at the Toronto International Film Festival, so I thought it would be a great time to look back and examine what makes this Guillermo del Toro film so special.
The film takes place in the late years of World War II, in Francisco Franco's Spain, which is still recovering from the Spanish Civil War.  A young girl named Ofelia (Ivana Baquero) and her pregnant mother Carman (Adriana Gil) have been displaced, and taken in by Vidal, a captain in the Spanish army.  While Vidal defends his outpost from guerilla freedom fighters and attempts to root out sympathizers in his ranks, Ofeila is more concerned with her mother.  Carmen's pregnancy is a difficult one, and Ofelia is concerned that her mother may not survive.  Ofelia encounters a faun, who gives her three tasks to carry out.  Not only will these cure her mother's illness, but the faun claims Ofelia will become immortal if she performs her tasks correctly.
One of the things I find interesting about this film is that it is told entirely in Spanish, with subtitles.  Guillermo del Toro could have very easily made Pan's Labyrinth in English, but I am thankful he chose not to.  While subtitles aren't to everyone's taste, I find this style choice to be the most authentic to the cultural setting.  It feels completely natural for the film to be presented in this way.  To have the same film in English would be to settle for a cheapened experience.
The contrast of brutal realism with dark fantasy is one of the things that makes Pan's Labyrinth work so well.  The score by Javier Navarrete mirrors this tone incredibly well.  There are notes of the whimsical tempered by terror and tension as the story develops.  The film has an incredibly strong cast, which also helps to draw the viewer in.  In particular, I was captivated by Sergi Lopez's performance as the cruel Captain Vidal.  His mercurial anger is as terrifying as the script intends, and makes you all the more concerned for the safety of the others.  Alex Angulo is also very good as the determined Doctor Ferreiro, who plays a dangerous game by helping the rebel camp in secret.
My review wouldn't be complete without talking about the incomparable work of creature actor Doug Jones, who performs both the fascinating, yet dangerous looking faun character as well as the baby-eating monster known only as 'the pale man'.  Jones uses every part of his body to create these iconic characters, but this is only half the story.  These performances would be nothing without the masterful technical work of prosthetics and special effects.  While the fantasy sequences in this film are brief, they are so richly detailed that they are the most memorable and iconic scenes from the film.  Credit is also due to the production design team for creating such a finely detailed and fully realized world.  
To sum up, Pan's Labyrinth is still as incredible a piece of film as it was ten years ago.  The characters are strongly written and brilliantly acted.  The effects work is beautifully well done, and solidifies the otherworldly nature of this movie.  In addition, Pan's Labyrinth was a film that catapulted Guillermo del Toro into his position as one of the most visually distinctive and sought-after directors in Hollywood.  In short, it's a high point in the ever-expanding del Toro filmography.